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DIE GROSSE RESERVE
10 Dezember 2009
DAILY EXERCISE
12 Mai 2012
from the photo and video series "Portrait of a Couple"
photography, Portrait of a Couple, 2011
photography, Portrait of a Couple, 2011
stills of the video sequence: Portrait of a Couple #1, 2011 / Two persons are arranged in front of the camera to appear as one. Here HE overlaps HER with his hair and sweater. HER face can be seen in action chewing a gum, trying to make bubbles. Played in Loop
stills of the video sequence: Portrait of a Couple #1, 2011 / Two persons are arranged in front of the camera to appear as one. Here HE overlaps HER with his hair and sweater. HER face can be seen in action chewing a gum, trying to make bubbles. Played in Loop
stills of the video sequence: Portrait of a Couple #2, 2012 / Two persons are arranged in front of the camera to appear as one. Here SHE overlaps HIM with her hair and body. HIS face can be seen in action eating ice cream that she serves him. Played in Loop
stills of the video sequence: Portrait of a Couple #2, 2012 / Two persons are arranged in front of the camera to appear as one. Here SHE overlaps HIM with her hair and body. HIS face can be seen in action eating ice cream that she serves him. Played in Loop
Videosäule, 2011
Die Verhandlung (the negotiation), Vienna 2012, HD video sequence, 5:51 min / Two women seem to communicate through their badminton rackets which they swing and turn in an unforeseen pattern like a morse code. Played in loop.
Die Verhandlung (the negotiation), Vienna 2012, HD video sequence, 5:51 min / Two women seem to communicate through their badminton rackets which they swing and turn in an unforeseen pattern like a morse code. Played in loop.
Portrait of a Couple #4, dimensions variable, 2011 (inspiration for video "the negotiation")
Portrait of a Couple #4, dimensions variable, 2011 (inspiration for video "the negotiation")

Portrait of a Couple

Dieses Arbeitsthema begann 2011 und besteht aus Fotografien als auch Videosequenzen, in denen Paare so arrangiert werden, dass sie vor der Kamera als eine Person erscheinen. In reduzierten Handlungen verschmelzen die Silhouetten zu einem Ganzen, stets im Wandel zwischen Perfektion, Harmonie und Entstellung. Hier ist eine kleine Auswahl zu sehen.